#Misfits discography wikipedia tv

The record opens with the title track and РІР‚СљTV Casualty,РІР‚Сњ two perfectly fine but unremarkable hardcore romps, before launching into РІР‚СљSome Kinda Hate.РІР‚Сњ Suddenly, weРІР‚в„ўre smack in the middle of MisfitsРІР‚в„ў deranged world: РІР‚СљThe maggots in the eye of love/WonРІР‚в„ўt copulate,РІР‚Сњ Danzig moans, yet the Whoa-oh-oh-oh-oh chorus wouldnРІР‚в„ўt sound out of place on an old doo-wop 45. Whether it was a calculated move or not, Static Age demonstrated just how quickly the band was evolving. Anyone who can resist shouting РІР‚СљI killed your baby todayРІР‚Сњ after DanzigРІР‚в„ўs gauntlet-dropping РІР‚СљI got something to sayРІР‚Сњ would probably fail a Voight-Kampff test. Good luck finding a group of teens over the past few decades that hasnРІР‚в„ўt broken into spontaneous karaoke when РІР‚СљLast CaressРІР‚Сњ kicks in on the car radio. On Static Age, Misfits proved themselves capable of writing catchier riffs than virtually any of their peers-never mind the subject matter. A punk band can do a lot within the typical three-chord limitations when it has a frontman with velvety pipes and a propensity for showboating. It helped that Danzig was so eager to show off his vocal range, rather than taking the Ian MacKaye or Henry Rollins route and just barking lyrics. What set Static Age apart was the palpable urgency of a young band eager to prove itself-that and an almost surgical knack for crafting infectious melodies. Misfits didnРІР‚в„ўt release a proper debut album until 1982РІР‚в„ўs Walk Among Us, but by that point, the production was far more polished. While Joey Ramone and Tom Verlaine were wispy, reedy, and slender, Danzig was a squat, solid fire hydrant of a man, and his similarly jacked bandmates resembled shop-class meatheads more likely to beat up high-school punks than start their own bands.Р”Р„lthough the majors turned up their nose at songs sung by a guy demonstrating a pronounced Elvis influence, about zombies from outer space, infanticide, and a grieving first lady lapping semen out of DanzigРІР‚в„ўs palm, the tracks eventually found an audience, years after the bandРІР‚в„ўs early-1980s split, via various EPs, singles, and collections. After all, Danzig was a grown-ass man singing lyrics like, РІР‚СљWeРІР‚в„ўre teenagers from Mars/And we donРІР‚в„ўt careРІР‚Сњ and РІР‚СљReturn of the fly/With Vincent Price/Yeah, return of the fly.РІР‚Сњ While the Ramones and Blondie were pushing gritty downtown glamour, Misfits embraced suburban ennui and built a campy aesthetic based on old black-and-white midnight monster movies. The bandРІР‚в„ўs fixation on horror B-movies and pre-Oliver Stone JFK conspiracy theories probably made them look remarkably less sophisticated, and, dare I say, less cool, than their cosmopolitan New York City punk peers. РІР‚СљWe talked to Sire Records, who were doing the Ramones and Richard Hell, and they didnРІР‚в„ўt want it.РІР‚Сњ On paper, itРІР‚в„ўs easy to see why Misfits were a tough sell. РІР‚СљWe talked to Chrysalis Records, who were doing Blondie and Billy Idol, and they didnРІР‚в„ўt want it,РІР‚Сњ Only said in a 2015 interview. The record ended up collecting dust on a shelf for almost 20 years, because no label would touch it. In a fairer world, Static Age would have been their breakout record, their London Calling or their Never Mind the Bollocks. The result was a tight 35 minutes of catchy hardcore paired with DanzigРІР‚в„ўs rockabilly-inspired baritone vocals-what should have been MisfitsРІР‚в„ў scorching debut album, recorded a scant nine months after the band had formed. The 17 songs that would eventually comprise Static Age were recorded in 30 hours over the course of a few months in 1978, in a barter with Mercury over a trademark Danzig held.

#Misfits discography wikipedia tv

After all, the recordРІР‚в„ўs thematic content was refracted through the hyper-specific lens of what a young Glenn Anzalone had watched on TV in the 1960s and 1970s, growing up across the river from New York City in the North Jersey suburbs. The long-overdue release of Static Age shed a painful light on the absurdity of having a kid not yet of drinking age sing DanzigРІР‚в„ўs lyrics about Patty Hearst, Vincent Price, and a Kenneth Anger book from the late 1950s. Bassist and co-founding member Jerry Only, on the other hand, found Jesus, as well as full-time work in his familyРІР‚в„ўs machine shop, before converting his absurdly named Christian metal band Kryst the Conqueror into a new incarnation of Misfits in 1995, thanks to an out-of-court settlement with Danzig and the installation of a 19-year-old scab singer known as Michale Graves. By that point, singer Glenn Danzig had long since abandoned his corpse paint and so-called РІР‚Сљhorror punkРІР‚Сњ origins in search of bluesier, Black Sabbath-inspired pastures with Samhain and, ultimately, the eponymous Danzig. When Static Age finally saw the light of day, in 1996, as part of The Misfits box set, it felt more like a time capsule being unearthed than a record release.